Hieronymus Bosch

Netherlandish Northern Renaissance Painter, ca.1450-1516, Flemish painter. His surname was originally van Aeken; Bosch refers to 's Hertogenbosch, where he was born and worked. Little is known of his life and training, although it is clear that he belonged to a family of painters. His paintings, executed in brilliant colors and with an uncanny mastery of detail, are filled with strangely animated objects, bizarre plants and animals, and monstrous, amusing, or diabolical figures believed to have been suggested by folk legends, allegorical poems, moralizing religious literature, and aspects of late Gothic art. Such works as the Garden of Earthly Delights (Prado) appear to be intricate allegories; their symbolism, however, is obscure and has consistently defied unified interpretation. Bosch clearly had an interest in the grotesque, the diabolical, the exuberant, and the macabre. He also may have been the first European painter to depict scenes of everyday life, although often with a strong element of the bizarre. King Philip II of Spain collected some of his finest creations. The Temptation of St. Anthony (Lisbon) and The Last Judgment were recurring themes. Other examples of his art may be seen in the Escorial and in Brussels. Examples of the Adoration of the Magi are in the Metropolitan Museum and in the Philadelphia Museum, which also has the Mocking of Christ. Bosch, who deeply influenced the work of Peter Bruegel the Elder, was hailed in the 20th cent. as a forerunner of the surrealists, and his work continues to influence many contemporary artists.


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Hieronymus Bosch The Garden of Earthly Delights, right panel - Detail disk of tree man oil


The Garden of Earthly Delights, right panel - Detail disk of tree man
Painting ID::  91899
The Garden of Earthly Delights, right panel - Detail disk of tree man
oil on panel cjr
oil_on_panel _cjr
   
   
     

Hieronymus Bosch The Marriage at Cana oil


The Marriage at Cana
Painting ID::  92709
The Marriage at Cana
Date second half of 15th century Medium oil on panel Dimensions Height: 93 cm (36.6 in). Width: 72 cm (28.3 in). TTD
   
   
     

Hieronymus Bosch The Last Judgment oil


The Last Judgment
Painting ID::  92767
The Last Judgment
second half of 15th century Medium oil on panel Dimensions Height: 99.5 cm (39.2 in). Width: 60.3 cm (23.7 in). (central panel) cjr
   
   
     

Hieronymus Bosch Ecce Homo oil


Ecce Homo
Painting ID::  92789
Ecce Homo
Date c. 1496-1500 Medium oil on oak panel Dimensions 73 X 57.2 cm (28.7 X 22.5 in) TTD
   
   
     

Hieronymus Bosch Death and the Usurer oil


Death and the Usurer
Painting ID::  92872
Death and the Usurer
c. 1490(1490) Medium oil on panel Dimensions Height: 93 cm (36.6 in). Width: 31 cm (12.2 in). cjr
   
   
     

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     Hieronymus Bosch
     Netherlandish Northern Renaissance Painter, ca.1450-1516, Flemish painter. His surname was originally van Aeken; Bosch refers to 's Hertogenbosch, where he was born and worked. Little is known of his life and training, although it is clear that he belonged to a family of painters. His paintings, executed in brilliant colors and with an uncanny mastery of detail, are filled with strangely animated objects, bizarre plants and animals, and monstrous, amusing, or diabolical figures believed to have been suggested by folk legends, allegorical poems, moralizing religious literature, and aspects of late Gothic art. Such works as the Garden of Earthly Delights (Prado) appear to be intricate allegories; their symbolism, however, is obscure and has consistently defied unified interpretation. Bosch clearly had an interest in the grotesque, the diabolical, the exuberant, and the macabre. He also may have been the first European painter to depict scenes of everyday life, although often with a strong element of the bizarre. King Philip II of Spain collected some of his finest creations. The Temptation of St. Anthony (Lisbon) and The Last Judgment were recurring themes. Other examples of his art may be seen in the Escorial and in Brussels. Examples of the Adoration of the Magi are in the Metropolitan Museum and in the Philadelphia Museum, which also has the Mocking of Christ. Bosch, who deeply influenced the work of Peter Bruegel the Elder, was hailed in the 20th cent. as a forerunner of the surrealists, and his work continues to influence many contemporary artists.

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